Sunday, August 24, 2014
Happy birthday to me. Whoop-dee-fuckin'-do.
Sorry for the self-indulgent blog post, but the older I get, my birthday becomes less a celebration of all things me and more a time to reflect on where I've been and where I'm heading. I guess that's probably what grown-ups would refer to as "maturity," although according to the experts, I've still got a couple years to go before I have to start worrying about any of that nonsense.
Wednesday, April 23, 2014
Moodie Black - Nausea
Release date: May 6, 2014 (Fake Four Inc.)
When I interviewed Moodie Black MC/producer/mastermind Chris Martinez more than five years ago for a Phoenix New Times music feature, he had just started referring to his noisy, distorted and occasionally chaotic brand of hip-hop as "post-rap." He soon backed away from the label, however, opting for the less grandiose but more descriptive term "noise rap."
"It sounded like I was a pretentious prick mostly," Martinez expained when I asked him recently why he stopped using the term. "But also because the music is what it is. I'll let the masses label it."
After listening to his latest batch of songs, I'm starting to think he was right all along. Nausea is Moodie Black's first full-length release for indie hip-hop label Fake Four Inc., and the follow-up to last year's self-titled EP that initially caught the label's attention. While Nausea is still plenty noisy, it also features the kind of epic, post-rock soundscapes favored by bands like Jesu, Explosions in the Sky and Deafheaven.
Sunday, March 2, 2014
This started off as a Facebook status. I usually try to refrain from getting too political on Facebook, and after typing a few paragraphs, I realized I had a lot more to say on this subject than I originally thought. So I figured why not post it over here on my music blog? Makes perfect sense, right?
Anyway, the whole brouhaha over the recently-vetoed SB 1062 has sparked somewhat of an internal conflict between my rational, libertarian side and my compassionate, egalitarian side. I suppose you could sum up my general philosophy -- both in politics and everyday life -- as "live and let live," so these two sides of me are rarely in conflict. But this bill is unique in the uncomfortable questions it forces us to confront. Most everyone agrees that, at the very least, SB 1062 was an unnecessary law. It was a solution in search of a problem. Even the bill's most ardent supporters grudgingly admitted that there were no cases here in Arizona of business owners being sued (or otherwise chastised or harassed) for turning away business on religious grounds.
The case most frequently cited in support of SB 1062 was that of a New Mexico photographer being sued for refusing to shoot the commitment ceremony of a gay couple. Now this is where the libertarian side of me starts to get perturbed. As disappointing as it is that homophobia is still very much alive and well in New Mexico, Arizona and every other state in this wacky-ass country, I'm also not too keen on someone getting sued for a having a "sincerely held" religious belief and sticking to it, despite how backwards and behind-the-times said belief might seem to most of the civilized world.
Wednesday, January 1, 2014
Well, here we are. We made it through the first full calendar year in the wake of Ween's untimely demise, and somehow, against all odds, the music industry managed to not only survive the year 1 A.W., but actually spew out 10 albums worth ranking in a listicle-type thingy. Putting together a year-end top 10 list almost seems quaint by today's standards. In its relatively brief existence, BuzzFeed has already ranked the relative worthiness of just about every item, person or event since the dawn of civilization, up to and including BuzzFeed lists themselves. (At least they have a sense of humor about their utter disregard for journalistic standards, I guess.)
So what's the point of adding yet another list to the shit heap? Well, this happens to be my list, containing my opinions. And my opinions are important. So much so that I usually present them as unassailable fact. Ween was the greatest musical act of all time. Slayer's Reign in Blood is the best 29 consecutive minutes in the history of recorded music. See? Those are most certainly opinions, shared by relatively few others, but I know them in my heart to be true.
It's no coincidence that the people who claim that all music has equal merit and individual taste in music is subjective tend to have the shittiest taste in music. Ultimately, that's why I became a music journalist. Some music is simply superior to other music, and the world needs me (and others like me) to sort it all out for them. Therefore, it is with great pride that I perform my civic duty and unveil my list of the 10 best albums of 2013. Consider this list your definitive, one-stop shop for the best music of 2013, and feel free to leave me a note of thanks in the comments below.
Wednesday, March 27, 2013
|Lost Society's Samy Elbanna and Pro Era's Joey Bada$$|
I was sitting at a poker table the other day when the conversation turned to music. The guy in the 7-seat was talking about a recent debate he'd had regarding the best 10-year stretch in music history. He was pretty convinced that it was 1965-1974, and nobody was putting up much of an argument. After all, it's hard to argue with an era that includes the prime output of the Beatles, Led Zeppelin, Black Sabbath, the Rolling Stones, Stevie Wonder, Pink Floyd, Jimi Hendrix, CCR and Janis Joplin, just to name a few.
After mulling it over for a bit, I acknowledged that his decade was damn near impossible to top, but that for me, it would probably be 1986-1995. It's a span that saw thrash metal -- and, for better or worse, hair metal -- reach its creative zenith. It also includes the rise and abrupt fall of grunge and the entire "golden era" of hip-hop. Maybe names like Nirvana, Metallica, Guns N' Roses, Slayer, the Pixies, Jane's Addiction, Smashing Pumpkins, Public Enemy, N.W.A and the Beastie Boys don't quite stack up to the names above, but they're pretty goddamn close.
Not coincidentally, that also happens to be the era when music mattered the most to me. In my teens and early 20s, discovering great new music was pretty much my number one priority, and at the time, there seemed to be an abundance of it. Unfortunately, by acknowledging as much, I'm basically outing myself as one of those annoying old people who always complain about how much better music was "back in the day." I never wanted to become that guy, but what can I say? Everyone gets old eventually, and full-time jobs, mortgage payments, credit card debt and student loans -- and, if I'm being completely honest, poker and video games -- tend to take priority over seeking out cool new bands.
That said, I do still try to make a concerted effort to find awesome new music as time and life allow (and even write about it on occasion). It's probably no surprise, then, that two of my favorite new artists sound like bookends of that glorious '86-'95 era. What is surprising is that neither of them is even old enough to buy a drink.