Anthrax - Worship Music (Album Review)

Anthrax - Worship Music
Release date: September 13, 2011 (Megaforce Records)

If anyone had any questions about the pecking order among the Big Four thrash metal bands, the lineup at the Big 4 Festival this past April in Indio, Calif. should've cleared up any doubts. Anthrax was relegated to a 4 p.m. time slot, hitting the stage in the late afternoon sun as fans were still filing into the massive Empire Polo Grounds for the historic festival. They also played the shortest set of the day.

Not that there's anything wrong with being the fourth most popular band in the greatest genre of music ever created. I'm sure Testament, Overkill, Death Angel, Flotsam and Jetsam or Nuclear Assault would've killed for that gig. Anthrax have certainly earned their spot in the Big Four, but they've always played the role of comedic foil to their much more serious brethren in Megadeth, Slayer and Metallica. While the latter bands wore denim and spiked leather and wrote songs about war, plagues, death and the occult, Anthrax sported board shorts and Adidas and took their lyrical inspiration from comic books and Stephen King novels. Let's face it, the Not Man wasn't exactly Vic Rattlehead, and you'd never catch Slayer rapping about Pop-Tarts® and stickball.

Hank3 - Attention Deficit Domination, Cattle Callin and Ghost to a Ghost/Guttertown (Album Reviews)

Hank3 performing live (photo by Cindy Knoener)

Hank3 - Attention Deficit Domination, Cattle Callin and Ghost to a Ghost/Guttertown
Release date: September 6, 2011 (Hank3 Records/Megaforce Records)

What prompts an artist to release four albums' worth of material on the same day? Workaholism? Devotion? Ambition? Greed? Batshit lunacy?

Whatever the motivation, Shelton Hank Williams -- aka Hank Williams III, aka Hank3 -- apparently has a lot to get off his chest after a tumultuous 15-year stint with Curb Records. In a press release preceding this multi-album, multi-genre release, Hank3 explains his motivation thusly:

"I wanted to flood the market and do everything different. I wanted to come out of the gate strong. I'm opening up the mind a little bit and bringing some different styles together."

While it's certainly understandable that Hank3 is eager to make the most of his newfound artistic freedom, he's asking an awful lot of both his fans and music critics by dumping nearly four and a half hours of music on us at once. It's a lot to absorb, but as a member of both of the aforementioned groups, I'm happy to take on the challenge.

Forbidden cancels European tour

Bay Area thrash veterans Forbidden have cancelled all but one of their European tour dates following the departure of drummer Matt Hernandez. The band will still play the Alcatraz Festival in Belgium on Aug. 27 with the legendary Gene Hoglan (Dark Angel, Death, Testament, Fear Factory) filling in.

Forbidden's label, Nuclear Blast, issued a press release with the following statement from founding guitarist Craig Locicero:

40 Watt Sun - The Inside Room (Album Review)

40 Watt Sun - The Inside Room
Release date: July 19, 2011 (Metal Blade Records / Cyclone Empire)

I feel obliged to admit right out of the gate that, prior to reading the press materials for British trio 40 Watt Sun's debut album, The Inside Room, I'd never even heard of singer/guitarist Patrick Walker's former band, Warning. After listening to what Walker has accomplished with 40 Watt Sun, it's safe to say that Warning is a band I will be checking out in the very near future.

On The Inside Room, 40 Watt Sun prove that heavy music can be just as haunting, melancholy and heart-wrenching as folk, shoegaze, indie rock or any other genre those adjectives are more frequently applied to. Actually, the only thing keeping this from being a straightforward folk album is the presence of distorted electric guitars.

Fair to Midland - Arrows & Anchors (Album Review)

Fair to Midland - Arrows & Anchors
Release date: July 12, 2011 (E1 Music)

Fair to Midland are an anomaly in the world of progressive rock. They make smart, complex and compelling music while somehow managing to avoid the inherent pretension that runs rampant throughout the prog rock genre. They're musically gifted, but they're not above letting their hair down and just rocking out when the urge strikes.